The
SuperNova 12
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The SuperNova 12 is a
custom-made analogue video synthesizer, designed by
Jeffrey Siedler, and engineered by Stephen Jones of
Australia's Severed Heads. According to the designers, it
is the only 12-oscillator dual picture analogue video
synthesizer that they are aware of. The Supernova 12 is a fabulous unit. It can produce two completely independent colour pictures that can be mixed or keyed into one another. A third external-keying image can also be produced, so the two picture generators can be keyed by a completely separate image. Jeffrey invites those interested in further details to contact him, as he is very excited about the infinite potential of this real-time dynamic image synthesis device. Click on the pix for a full screen view of the unit. |
The Supernova 12 video synthesizer is an analogue
colour video pattern generation system based upon the interaction
of up to 12 oscillators producing combination complex waveforms
driving the red, green and blue components of a video signal. The
unit is capable of producing two independent output color video
signals that can be mixed together using the inbuilt vision
mixer. The result is a dynamic cascade of interacting waveforms
producing fascinating colour combinations in real-time.
The synthesizer has separate modules that can be patched together
as required for pattern generation. Each oscillator module
contains a range control, frequency adjust, CV adjust, wave shape
control and separate outputs for triangle, sine and square
waveforms. Each oscillator has a Controlled Voltage input, and a
sync lock input enabling the oscillator to be locked to the
horizontal or vertical sync pulses from the vision mixer. The
unit incorporates several analogue effects modules that can
accept any output from the oscillators and includes such
functions as: addition, subtraction, differentiation,
integration, rect. and multiplication. A pulse width modulation
control affects some of these functions.
The video synthesizer is controlled by a JVC KM-1200 Colour
Special Effects Generator. This unit provides the horizontal and
vertical blanking signals for sync-locking the oscillators, the
video switching for the video inputs, and provides a means where
an external signal can act as a key for the two input video
signals. Complex multi-layered images can be built up this way,
and manually controlled by the vision mixer.
To build a colour video image, processed signals from the
oscillators are connected to the red, green and blue picture
inputs. The RGB levels are adjusted by the operator as well as a
bias adjust for each colour. The controls have a wide range of
latitude, and can make for maximum colour control flexibility
from the most subtle shades to the boldest hues and intensities
enabling enormous creative potential for the user.
The Supernova 12 is capable of producing infinitely variable
abstract dynamic complex colour images with real-time control and
adjustment. Interesting patterns are formed when two or more
oscillators are combined for each of the RGB colour channels. One
example is having an oscillator locked to the horizontal or
vertical sync and either modulating the output waveform via the
CV input or adding it to another sync-locked oscillator that is
also modulated by a CV input. The output waveform becomes the
basis for one of the colour channels. Repeat this process for the
other two colour channels and very complex images can be
produced. Square waves typically produce hard-edge patterns,
while triangle and sine waves produce more curvilinear and softer
edges to the images.
Various sequences of rhythmic modulation effects can be achieved
by the unit. For example, if a square wave output in vertically
sync-locked, and this in turn is modulated by a vertically
sync-locked sine wave output added to another oscillator
free-running, then the result is a well-ordered but extremely
modulated pattern repeated on the video monitor. By changing the
frequency of the first oscillator, the angle or skew of the
modulated pattern can be altered.
Vertically sync-locked oscillators produce a wide variety of
angled waveforms for further modulation by their CV inputs.
Mixing waveforms and inserting these into the CV inputs of a
vertically sync-locked oscillator not only provides enormous
scope for modulation expression, but the pattern is repeated
horizontally beyond the edges of the display monitor. Using a
square wave for the fundamental control oscillator produces
hard-edge lines. Using triangle or sine waves produces maximum
delineated patterns with a continuous soft edge. The result
resembles soft cloud-like structures or vapour-like tendrils
depending on how the control oscillator is modulated. An external
function generator can also be used to modulate sync-locked
oscillators producing an even greater range of frequencies for
the user.
Some examples of the output - Click on the image to enlarge it:





















Owners on record:
| Only one! - The unit is a prototype, owned by Jeffrey Siedler of Sydney, Australia. |
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